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WAY OF THE CROSS PAINTED COASTER




recent weeks, the museum Unterlinden present in the gallery on the first floor a remarkable collection of paintings on glass, representing a cross to bear, painted by Anne-Marie Rieffel, one of the few popular artists of the early nineteenth century whose name is known and the works identified. This path crosses with three stations missing (stolen) was achieved in 1832. First in the chapel of Baumgarten (Bernardvillé), then put away in the presbytery of Reichsfeld finally in Benedictine Rosheim, presented by the episcopal board of the factory Bernardvillé the way of the cross was removed for fifteen years at the museum Unterlinden, which has ensured the restoration of the assembly. A sign shows the educational operation.
now secured and preserved for the future, the path crosses Baumgarten demonstrates once again the popular piety through the beautiful presentation by the museum.

Xibaut Bernard, Chancellor of the Archdiocese

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Conferences Andlau



Details of the shrine of St. Richard in the abbey Andlau

Everybody knows Andlau holy Richarde. Just take a walk in the city to discover that his founder is still very present in the collective memory. And quite often, especially in favor of fine weather, it is not uncommon to host visitors from the church to pray that the signs continue to call it "Abbey St. Richard.

However, if the publications and literature overview on the saint and his works are not lacking, it is not the same for literature. Similarly, the archival records are few. Is it possible to know more? What historical sources are available? These sources are credible? The fund legendary in the case of St. Richard is important. This fund is it credible? Does not it compensates not the absence of credible sources? The holy still continues to enjoy a cult. It is particularly so in the spotlight Sept. 18, his birthday. What is the relevance of this cult? What can he bring to Andlaviens and all those for whom the holy deserves to be venerated?

These conferences will be led by Father Jean-Luc Lorber, 3 and Wednesday March 17, 2010, 20 am to 22 pm in the Great Hall of the Town Hall Andlau.

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first Mass of Remembrance





The association recently received a "First Mass of remembrance", given by a family of Kaysersberg through Lichtlé Mr Francis whom we thank.

A framework of 41 cm square contains a piece of pearl set in the middle of a wreath of fabric flowers. It was the custom styling of the newly ordained priests, at their first Mass celebrated mostly in their village or town of origin of such a crown.
The originality of this first Mass of remembrance is the central object: You can find quite often embroidered pieces, but the pearl is unique. The plate is perforated on its curved edges, embossed on its surface: we see the resurrection of Christ, more accurately Christ leaving the tomb, two women on the left watching the scene, a soldier asleep taking place at the back on the right.
The pearl has probably been offered to the young priest. Such pieces were crafted in the Holy Land, but also in Greece and Spain, Britain, ultimately on all coasts where there is the raw material. A Meru (Oise), an industry based on production of objects pearl or bone developed in the twentieth century


Benedict Jordan

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MEMORIES OF Walldürn






From top to bottom: 1 / panel tells the story of the miracle: the priest hiding the Corporal - 2 / altar Reliquary - 3 and 4/images pious nineteenth and twentieth century

Pictures Walldürn

It is not uncommon to find in Alsace images of pilgrimage Walldürn, though distant 200 km from Strasbourg. It is located in Baden-Württemberg in the district of Neckar-Odenwald, south-west of Wertheim.
is not going to honor supposed relics back to the origins of Christianity as the Holy Tunic of Argenteuil or Trier, the Shroud of Besancon, the robe of the Virgin at Aix-la-Chapelle ... but to make a pilgrimage erected following a Eucharistic miracle, as there are others (Bois-Seigneur Isaac Faverney, Lanciano, ...). The miracle
dates back to 1330, when a priest had accidentally spilled his cup with wine, already devoted spread on the corporal, and immediately formed a curious composition found images: Christ crucified without the cross, surrounded by 11 heads of Christ like those seen on Veronica's veil. Horrified, the priest hid under the corporal and the altar stone and did not reveal the hiding the fact that on his deathbed.
In 1445, Pope Eugene IV granted a bull of indulgences in the pilgrimage of the "miracle of the blood", which gave the place more attractive.
The corporal, mounted in a silver reliquary in the seventeenth century, found a place on a baroque altar erected in the eighteenth century.
The oldest graphic representation is contained in a pamphlet from 1589 which tells the "origin and progress" of the pilgrimage (De Ortu and sacrae Waltdurensis Peregrinationis progressu). The image, clumsily engraved wood is held by two angels.
images found in Alsace began only nineteenth and twentieth centuries in a lot of mechanical and canivet chromolithographs (printed on site) and an image on silk later.
addition to religious images, known in Alsace a monumental representation of the miracle of Walldürn to Morschwiller (near Haguenau): instead of a roadside cross is a Bildstock 2.70 m high, which shows carved in low relief, composition miraculous pilgrimage evokes the registration done in 1836 by the sponsor of the monument.

Louis Schlaefli

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Antependium



During a storage operation in a vestry north of Alsace, we found a antependium quality. Made to the exact dimensions of the altar (which dates from the late eighteenth century), antependium is made of tapestry, petit point. The scenery, as shown in the photo, highlights the monogram of Mary A., in two initial lines curves; The decor consists of floral elements whose colors have retained much freshness.
A curiosity: the Virgin described in the Apocalypse is crowned with 12 stars. However, our object has only 9 stars above the monogram.

The antependium can be dated to the early nineteenth century It is small enough in Alsace for the latter to be reported and kept in good conditions.

antependium The ornament is designed to decorate an altar table. It is fixed on the front of the tomb (hence its name: "hanging in front). In the Baroque period, the antependia are often composed of a wooden frame and a wooden panel painted or covered with an embroidered or woven fabric. The antependium, interchangeable, can be decorated with an iconography related to a party or liturgical season.

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I was asked: "Did you like Sheridan?". I responded: "I loved the Sheridan!"

And because when I love, I'm speechless ("what is rare enough to be stressed" persiflent bad language ;-))
because I do not want to paraphrase what has been written elsewhere (if This is to confirm the excellent performance of the trio of actors - Natalie Portman, Jake Gyllenhaal and Tobey Maguire - and supporting roles), because
I can find nothing better to say that what has been said,

and finally because the film touches on perfection down to the smallest details, I will tell you that the last of them: the end credits Winter I listen loop since signed by another Grand, U2.

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The Church of the Most Holy Trinity at the Esplanade

Tuesday, February 9, at 18 h 15, Jordan Benedict, curator at the Archives of Strasbourg and a member of our association, will present a presentation to the Friends of Old Strasbourg on the theme:

CHURCHES OF STRASBOURG 1850 to 2000: 150 Years of Architecture of the Sacred.

Dozens of Catholics and Protestants buildings mark the landscape in Strasbourg. Between 1850 and 2000, their styles evolve, reflecting the aesthetic felt by their sponsors, and liturgical requirements. They also reflect the history of the city and its inhabitants.

Conferences of Friends of Old Strasbourg held at CTC, Avenue Jean Wenger-Valentin, Strasbourg.

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Symposium conference in Strasbourg in Neuenburg am Rhein

5 and 6 March 2010 there will be a symposium on relations between the monasteries and cities in the Rhine region in the late medieval and early modern times. It is organized by the University of Freiburg in Breisgau and the city of Neuenburg am Rhein, edited by Ursula Huggler and Professor Thomas Zotz.

The program shows, for the part Alsatian: Prof.
. Dr. Sigrid Schmitt (Trier): Töchter der Stadt oder Fremde? Geistliche Frauen im spätmittelalterlichen Strassburg und zwischen Einbindung Absonderung. Dr. Elizabeth

Clementz (University of Strasbourg): Die Antoñita von Strassburg und Isenheimer zwischen Stadt und Land.

You can read about the entire event by clicking the following link:

http://www.neuenburg.de/servlet/PB/show/1329723_l1/Flyer% 20Internet.pdf